![]() NOR THIS THE UPS STORE LOCATION SHALL BE LIABLE FOR ANY DAMAGES OF ANY KIND, HOWEVER CAUSED. BY USING THESE SERVICES, YOU AGREE THAT THEY ARE PROVIDED “AS IS” AND WITHOUT ANY WARRANTY OR REPRESENTATION OF ANY KIND, WHETHER EXPRESS, IMPLIED OR STATUTORY, INCLUDING, BUT NOT LIMITED TO, IMPLIED WARRANTIES OF SATISFACTORY QUALITY, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, AND WITHOUT ANY GUARANTEE OF COMPLIANCE WITH ANY OBLIGATION, INCLUDING FEDERAL OR STATE LAWS AND REGULATIONS. Products, services, pricing and hours of operation may vary by location. This shredder was used just a hand full of times for only a few sets of documents. OfficeMax 17-Sheet Cross-Cut Shredder OM04999 get. get it first Royal Consumer 29083Z JS55 Paper Shredder no baske. ![]() GoECOlife 12-Sheet Commercial Microcut Shredder GM. Lightly Used Staples Mailmate M5 Paper Shredder, works perfectly. ROYAL SOVEREIGN PAPER AUTO FEED PAPER SHREDDER AFS. ![]() Once inside found fuse was OK (not blown). Did not need to take stainless front panel off. Had difficulty with this because of the low grade plastic that the screws thread into. Opening instructions were helpful but the screw driver should be long and with a SMALL Phillips head. in the USA and by its master licensee and its franchisees in Canada. Staples Mailmate Portable Paper Shredder Heavy Duty Cross-cut Junk Mail Shredder. Mailmate power light would light but shredder would not turn. The UPS Store locations are independently owned and operated by franchisees of The UPS Store, Inc. Neither The UPS Store, Inc., nor The UPS Store® franchise network are affiliates of Iron Mountain, and no sponsorship or endorsement is intended or implied. Shredding and recycling receptacles and services are provided by Iron Mountain Information Management, LLC and its subcontractors (collectively, “Iron Mountain”).
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These tracks can then be shared with friends online too, so you can create a track, throw down a time and challenge your buddies to beat it. At the push of the button, you can generate a stage that no-one will have ever seen before – and with over a billion possible stages across five different locations, the possibilities are near infinite. Your Stage is our very own route generator that allows players to create stages to their own specification, giving you all sorts of options with regards to length, complexity and time of day. A game changer for racing, Your Stage is an incredibly cool tool that means that the robotic nature of learning a stage will be a thing of the past. While our Career Mode rally routes are replayable and carefully curated to challenge a driver’s ever-growing skill-set, players will also have access to a new feature called Your Stage. Dirt 4’s going to throw an incredible amount of cool stuff your way, so here’s the important information that you should know before it lands this June!Īs the saying goes, ‘a circuit driver sees the same corner a thousand times, but a rally driver sees a thousand different corners’ – and that’s the experience Dirt 4 aims to recreate. ![]() We’re so, SO pumped to be bringing you Dirt 4 later this year – and so we’ve written a short blog about why you should be excited too. I’m Christina McGrath, the Senior Community Manager over at Codemasters. To continue with our commitment to bringing PlayStation fans the best racing games, we’re here today to announce and talk about the next and largest game ever in the Dirt franchise – Dirt 4! We recently announced that we’ll be bringing Dirt Rally, the highest-rated racing game on PS4, to a whole new level of realism and immersion with a PlayStation VR upgrade. Here at Codemasters, we continue to push the limits on what our games can do on the PlayStation platform. More often than not, all I need is a quick indented list, with simple formatting, and the ability to reorder sections easily. If an outline is more than a few pages long, it’s only because it’s full of detailed notes. Today, my outlining needs are much simpler. Although the word processor I used could handle outlining, it wasn’t optimized for huge outlines the way OmniOutliner is. Those outlines grew as the semester wore on, adding complexity that made them harder to edit. ![]() I wish I had OmniOutliner when I was in law school. Outlines became second nature – something I still use today to organize research, write longer articles, and organize projects. When I was in law school, that’s how I was taught to break down legal issues and structure the enormous amount of information I needed to know to pass exams. Styles : Fixed a bug with unsupported styles being included in pasted text that would cause files to be recognized as Pro documents.I think in outlines.Omni Automation : Addressed a crash that could occur when evaluating an Omni Automation script that results in an error.Omni Automation : Allow configuring keyboard shortcuts for plug-in actions.For more details about this change and other recent Omni Automation improvements, see the `API Reference` Release Notes (available via the Automation menu in the menu bar). Omni Automation : Omni Automation now supports storing and accessing credentials in the Keychain.Download the Pro version today and try it for yourself! The new Names Styles feature in OmniOutliner Professional gives you even more options for fast and powerful editing. 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It’s important to remember that you need to test the Internet speed from your Fire Stick, not at the router or elsewhere in your network. If your Fire Stick doesn’t get more than the minimum speed you need (bandwidth), it’s not going to give you a good video streaming experience.High-definition video requires 6 to 10 Mbps. Confirm your speed needs to meet the following: standard-definition video (while not doing anything else) is 3 to 4 Mbps.View your downstream internet speed from the generated results.In the URL box, type The website (owned by Netflix) tests your internet speed automatically when loaded.Launch the Silk browser, or one of your choices on your Firestick.The Silk browser will install on your Fire TV Stick.Select “Categories,” then choose “Utility.”.On the “ Home” screen, select the “Apps” tab.To install the Silk browser, wake your television and your Fire Stick using the power button on the Fire TV remote.If you already have a browser (any you want), skip to “Step X. Install the Silk browser on your Firestick.The main reason your Fire Stick might buffer is that it doesn’t have enough of the video stream loaded to keep playing, and it has to catch up. Streaming video is fairly bandwidth-intensive, and if your Internet connection isn’t up to par, then your Fire Stick may not be able to keep up with those Buffy the Vampire Slayer episodes you’re blasting out. The first thing to check is the Internet connection speed that your Fire Stick receives. Firestick Buffering Problems: Check Your Internet Speed Let’s take a look at how to diagnose and solve this issue. Instead, it typically comes down to problems with your internet connection not being fast enough to handle streaming over your network. While this can be annoying, fortunately, it’s rarely a sign of any serious issue with your device. One of the most common problems users encounter is buffering issues, stopping their streams in the middle of the latest Stranger Things or Big Mouth season. Of course, like any gadget, your Fire Stick can and will run into bugs and issues. ![]()
![]() It also helps to recognise when something is too independent to be identified you'll just have to sort through your obscure nerd indie collection yourself. It helps, for example, to separate TV shows from movies. To generate metadata, your media needn't be in any specific layout, but the closer you get your files to easily-parsed entities, the better. That means the next step is to identify all those video files on your drive. The reason you're running tinyMediaManager is to get titles and movie poster thumbnails instead of generic icons, or an endless list of "Unknowns", when you launch your media player. If you don't know, then it's probably safe to use the default. The setup wizard also gives you a choice of the metadata format you want to generate. If you're not seeing your media drive in tinyMediaManager, make sure you see it on your client machine first! You can't just export the volume as NFS, or share it via Samba, and have it pop up in tinyMediaManager on another machine the computer running tinyMediaManager must "see" the drive as a usable location. It may seem obvious, but in order for a network drive to be added as a source, that network drive must be mounted on your current machine. Add your media location and then wait as tinyMediaManager scans the location. When you first start tinyMediaManager, a setup wizard prompts you to provide it with a source that contains your video files, such as a local or network drive. You may also launch it directly from a terminal with the included tinyMediaManager.sh script (which is what I do, since I only use it occasionally): $ ~/bin/tmm/tinyMediaManager.sh & Getting started ![]() Once Java has been installed, you can optionally add sktop to /usr/share/applications so that it shows up in your applications menu. ![]() I place my non-packaged applications in ~/bin, but it works just as well from /opt or /usr/local/bin it's up to your own management style.Īs with any Java application, a hard requirement of tinyMediaManager is Java, or more specifically OpenJDK. It is written in Java with Swing libraries, so it runs on Linux, BSD, Windows, Mac OS, and anything else that supports Java.Īfter downloading the tinyMediaManager archive (it will be a tar.gz file if you're on Linux or BSD, and a zip file for all other platforms), unpack it to whatever path you prefer. TinyMediaManager is an open source media management tool that generates video file metadata for media players like Kodi (formerly XBMC), and other clients that use the same metadata schema. The media client I've been using lately is tinyMediaManager. In typical open source fashion, there are dozens of applications available to scan a media library and generate external metadata files and assets, so that the media clients could better parse all the crazy things you throw at it. I did a little bit of research, and discovered that for well over a decade, a sort of unofficial standard had emerged for exactly this problem. I tried devising my own naming scheme for my files, but not all media clients handled that very gracefully they attempted to parse the names and determine the content type based on file names, or they ignored the names entirely, or even ignored the files. I keep these on an NFS shared drive, and stream to Kodi or ncmpcpp, or whatever media client I happen to be using on any given Linux or Android device. I prefer a digital format, and since I consume a lot of independent content that doesn't have the budget for physical releases anyway, most of my purchases are digital files. I consider myself an early adopter of digital content. How can your computer tell whether that 8 GB file in your ~/Movies folder is the latest superhero movie, or your daughter's soccer game? The trouble with video files is that they are not easily parseable. Completeness periods for the declustered catalog were estimated for the definition of appropriate seismic source models for the whole territory. Different magnitude-conversion relationships, compatible with available local and regional ones, has been established to obtain unified moment magnitude estimates for the whole catalog. Large earthquake events (M W ≥ 6.5) have been carefully revised for their epicentral locations and magnitudes from trusted publications. Earthquake and focal mechanism data have been compiled from various local, regional and international sources. ![]() The details about the catalog compilation, the removal of duplicate events, unifying the magnitude scales, removal of dependent events through the declustering process and its completeness analysis are presented. Here we present a new updated and unified Poissonian earthquake catalog for Mexico. with all available details is uploaded in the website. A list of 203,448 earthquakes (including aftershocks and foreshocks) occurred in the region covering the period from 250 B.C. A significant decrease in seismic b value was seen when declustered catalog was used which illustrates that a larger proportion of dependent events in the earthquake catalog are related to lower magnitude events. The study area was divided into 2,025 grid points (1°×1°) and the spatial variation of the seismicity across the region have been analyzed considering all the events within 300 km radius from each grid point. The dependent events (75.3%) in the raw catalog have been removed and the effect of aftershocks on the variation of b value has been quantified. Region-specific earthquake magnitude scaling relations correlating different magnitude scales were achieved to develop a homogenous earthquake catalog for the region in unified moment magnitude scale. ![]() Both historical and instrumental data were compiled and the complete catalog of Indian earthquakes till 2010 has been prepared. An attempt has been made to quantify the variability in the seismic activity rate across the whole of India and adjoining areas (0–45°N and 60–105☎) using earthquake database compiled from various sources. ![]() i don’t remember any such statement from topaz in regard of this. Nobody never told that it was made for a professional use. ![]() That’s why I was hoping I was missing something, like it works with some input formats but not others or something like that. I understand that it’s labelled experimental, but ‘experimental’ to me implies “works with some caveats”, however right now it seems like it doesn’t work at all. I’m hoping there’s something I’m missing and this can be made to work? But that’s going to be impossible without timecode. If I use it I will want to process several thousand clips and it’s vital that I can reconform them onto my original timelines. I don’t understand how this software can be usable in a professional context without preserving timecode. Unsupported codec with id 0 for input stream 1 If I run ffprobe on the input files I am testing with Topaz, it clearly shows the timecode can be read by FFMpeg: $ ffprobe testTopaz.movįfprobe version 4.4 Copyright (c) 2007-2021 the FFmpeg developersīuilt with Apple clang version 12.0.5 (clang-1205.0.22.9)Ĭonfiguration: -prefix=/usr/local/Cellar/ffmpeg/4.4_2 -enable-shared -enable-pthreads -enable-version3 -cc=clang -host-cflags= -host-ldflags= -enable-ffplay -enable-gnutls -enable-gpl -enable-libaom -enable-libbluray -enable-libdav1d -enable-libmp3lame -enable-libopus -enable-librav1e -enable-librubberband -enable-libsnappy -enable-libsrt -enable-libtesseract -enable-libtheora -enable-libvidstab -enable-libvorbis -enable-libvpx -enable-libwebp -enable-libx264 -enable-libx265 -enable-libxml2 -enable-libxvid -enable-lzma -enable-libfontconfig -enable-libfreetype -enable-frei0r -enable-libass -enable-libopencore-amrnb -enable-libopencore-amrwb -enable-libopenjpeg -enable-libspeex -enable-libsoxr -enable-libzmq -enable-libzimg -disable-libjack -disable-indev=jack -enable-avresample -enable-videotoolbox Is this a known problem? I have tested two source input codecs: DNxHR and ProRes 422 HQ. This is going to make it impossible for me to conform the files written by Topaz back into my Resolve timelines. ![]() With timecode turned on, in the app it shows all clips starting at 00:00:00:00. I’m still testing with Topaz and just realised I have a pretty major problem - the timecode of my source clips is not read or preserved! I tested both 2.3 and 2.4, and I have “experimental timecode” turned on. Įvidence for (or against) the existence of diatomic astatine (At 2) is sparse and inconclusive. Metallic astatine is expected to have a density of 8.91–8.95 g/cm 3. Alternatively, if condensed astatine forms a metallic phase, as has been predicted, it may have a monatomic face-centered cubic structure in this structure, it may well be a superconductor, like the similar high-pressure phase of iodine. As an analog of iodine it may have an orthorhombic crystalline structure composed of diatomic astatine molecules, and be a semiconductor (with a band gap of 0.7 eV). The structure of solid astatine is unknown. The absorption spectrum of astatine in the middle ultraviolet region has lines at 224.401 and 216.225 nm, suggestive of 6p to 7s transitions. Even so, half of a given quantity of astatine will vaporize in approximately an hour if put on a clean glass surface at room temperature. Īstatine sublimes less readily than does iodine, having a lower vapor pressure. Astatine is sometimes described as probably being a black solid (assuming it follows this trend), or as having a metallic appearance (if it is a metalloid or a metal). For example, halogens get darker with increasing atomic weight – fluorine is nearly colorless, chlorine is yellow-green, bromine is red-brown, and iodine is dark gray/violet. Most of the physical properties of astatine have been estimated (by interpolation or extrapolation), using theoretically or empirically derived methods. Astatine is usually classified as either a nonmetal or a metalloid metal formation has also been predicted. It remains to be seen if, with sufficient cooling, a macroscopic quantity of astatine could be deposited as a thin film. A visible piece of astatine would immediately vaporize itself because of the heat generated by its intense radioactivity. Research is limited by its short half-life, which prevents the creation of weighable quantities. The bulk properties of astatine are not known with any certainty. ![]() Of the first 101 elements in the periodic table, only francium is less stable, and all the astatine isotopes more stable than francium are in any case synthetic and do not occur in nature. Most of its isotopes are very unstable, with half-lives of seconds or less. Neither the most stable isotope astatine-210, nor the medically useful astatine-211, occur naturally they are usually produced by bombarding bismuth-209 with alpha particles.Īstatine is an extremely radioactive element all its isotopes have half-lives of 8.1 hours or less, decaying into other astatine isotopes, bismuth, polonium, or radon. Four isotopes of astatine were subsequently found to be naturally occurring, although much less than one gram is present at any given time in the Earth's crust. Segrè at the University of California, Berkeley, who named it from the Ancient Greek ἄστατος ( astatos) 'unstable'. Corson, Kenneth Ross MacKenzie, and Emilio G. The first synthesis of astatine was in 1940 by Dale R. Chemically, several anionic species of astatine are known and most of its compounds resemble those of iodine, but it also sometimes displays metallic characteristics and shows some similarities to silver. Astatine is likely to have a dark or lustrous appearance and may be a semiconductor or possibly a metal. However, astatine also falls roughly along the dividing line between metals and nonmetals, and some metallic behavior has also been observed and predicted for it. Many of them have been estimated from its position on the periodic table as a heavier analog of iodine, and a member of the halogens (the group of elements including fluorine, chlorine, bromine, and iodine). The bulk properties of astatine are not known with certainty. A sample of the pure element has never been assembled, because any macroscopic specimen would be immediately vaporized by the heat of its radioactivity. ![]() All of astatine's isotopes are short-lived the most stable is astatine-210, with a half-life of 8.1 hours. It is the rarest naturally occurring element in the Earth's crust, occurring only as the decay product of various heavier elements. Astatine is a chemical element with the symbol At and atomic number 85. |